Monday, 31 March 2014

[www.keralites.net] Golden temple of Jejuri ( Khandoba ) : Not far from Pune located 38-km from Pune and 60-km from Sholapur

 

Jejuri is the abode of the lord of one of the oldest tribes in Maharashtra, the Dhangars. They are an upright and valiant community of shepherds, deeply attached to Khandoba.
One of the main visual attractions of Jejuri is the deepmaala, or garland of lights. It consists of two tall, vertical columns carved in black stone. When lit up on a moonless night, the shimmering flood of light created by this stone garland is enough to rival the molten gold of turmeric that forever adorns the steps of Jejuri.
Interestingly, Jejuri once upon a time also had a fort. It's here that Shivaji met his father Shahaji, after a long gap of 14 years, and discussed guerilla strategies to ward off the Mughals.

 

 
Devotees throw turmeric powder as an offering to the shepherd god Khandoba on Somavati Amavasya at the Jejuri temple in Maharashtra state, India on Monday, March 11, 2013. Somavati Amavasya is the day when a New Moon falls on a Monday. [Photo: CRIonline] 

 

 

 
Ravi
www.keralites.net

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[www.keralites.net] Anil Srinivasan, who started Rhapsody Music Foundation to help underprivileged children learn music, narrates how he became a classical pianist after doing a Master's in Business Management in the US

 


 
Anil Srinivasan is a Carnatic classical pianist who has collaborated with many Indian and international artists, but there is much more to him than that.

 
Recently, 30 under-privileged children from Chennai's municipal schools gave a Carnatic music recital, and the man who made it possible was Srinivasan through the Rhapsody Music Foundation that he founded.

 
In this interview, the pianist talks about how Rhapsody came into being and how he became a classical pianist after doing a Master's in Business Management in the US.

 
Introduction to music

 
When I was three, studying in kindergarten, I walked up to a piano in school and started playing it. That was the first time I saw a piano.

 
It became a big story in the school, I was told. Seeing this, Meena Radhakrishnan, the legendary Semmangudi Srinivasa Iyer's daughter-in-law, took me as her disciple and that was how I was initiated properly into music and the piano.

 
Perhaps I am the only person in the history of music to have gone to Semmangudi's house to learn western classical music and the piano while all the others went there to learn vaaypaattu.

 
I learnt piano there till the age of nine. After that, Anna Verghese became my guru for a very long time.

 
I don't know what attracted me to the piano; it has always been a part of my life. I believe that the instrument chooses you, and not you choose the instrument. Otherwise, at age three, how was I attracted to a piano?

 
Meeting the legends of Carnatic music

 
I still remember the swing in front of Semmangudi's house and the easy-chair in the portico. After I finished my class, I used to see him sitting there with his coffee tumbler. The moment he saw me he would ask, "What did you learn today?" Whatever I said, he would say, "Very good". That is all I can remember of him. I was too young to have any meaningful conversation with him.

 
When I was 12 years old I met Lalgudi Jayaraman in Kodaikanal where his family and my family were on vacation. He taught me how to play three thillananas on the piano. He may be a violin player but he could play all the instruments.

 
He took me on as a student. Later, after I started working with his son and daughter, I came to know Lalgudi Mama much better.

 
The greatest thing about these two legends is that never once did they say, don't play the piano. They have been open and encouraging.
Anil Srinivasan teaching Carnatic music to underprivileged children
 

 
Full article in the link below.

 
Ravi
un
www.Furnarm.com

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[www.keralites.net] * ~: :~ Colourfull Food Photography

 

un
www.Furnarm.com

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