The Ranakpur Jain Temple was built during the reign of the liberal and gifted Rajput monarch Rana Kumbha in the 15th century, in the AD 1439. The basement is of 48,000 sq. feet area that covers the whole complex. There are four subsidiary shrines, twenty-four pillared halls and domes supported by over four hundred columns. The total number of columns is 1,444 all of which are intricately carved with no two being alike. The artistically carved nymphs playing the flute in various dance postures at a height of 45 feet are an interesting sight. In the assembly hall, there are two big bells weighing 108 kg whose sound echoes in the entire complex. The main temple is a Chaumukh or a four-faced temple dedicated to Adinath.
The main temple is the Adinath or Chaumukha temple (the four-faced temple) dedicated to the first tirthankara Adinath. Tucked away deep in the forested Aravalli hills, this is easily one of the most beautiful Jain temples in India. Built in the 15th century, the detailed and intricate carving on the marble looks like lace work rather than stone carving. The 15th century Adishwar temple or the Chaumaukha temple built by Sheth Dhanna Shah is a fine structure. It is in the form of a Nalinigulm Vimana (heavenly aircraft) that Shah had seen in his dream. Designed by Dipa Shilpi it took 65 years (1367- 1432) to erect and is the largest and most complex Jain temple in India. It also boasts of being one of the five most important holy shrines of the Jains.
The temple has 29 halls, 80 domes and the pavilions include 1444 pillars, each of them so intricately and artistically carved that they'll leave a lasting impression on you. The figures of dancing goddesses, beautifully engraved on these pillars are an absolute architectural wonder. The best feature about these pillars is that no two pillars are alike in design and sculptures. Not only the pillars but almost every surface is carved with great intricacy. As you go from one chamber to another you'll realize that it does not conform to the traditional longitudinal plan as of Indian temples but follows a cruciform one. This plan has four separate entrances, one on each side. Each of these then lead through a series of columned halls to a central arena and the sanctum which has the four faced white marble image of Lord Adinath. The first Jain saint Adinathji or Rishabhadev is surrounded by several other smaller shrines and domes. These are in turn surrounded by a Bhamati or range of cells for images, each of which has a roof of its own.
http://www.jaindharmonline.com/pilgri/ranak.htm
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